Internationally acclaimed artist, Rana Begum is bringing her artistic genius “Ordered Form” to the historic Assembly Room at St Albans Museum + Gallery.
Curated by the University of Hertfordshire Arts + Culture, the exhibition unveils a collection of new sculptures, paintings, and screenprints specially crafted for this showcase, complemented by pieces developed over the past three years. The exhibition also grants viewers a glimpse into Begum's artistic process through the display of her studio experiments and maquettes, offering a fascinating behind-the-scenes look into her creative journey.
An expansive mesh installation, installation 670, a striking focal point, graces the upstairs Assembly Room from January 20 to March 17, 2024. Simultaneously, the main exhibition in the basement of Weston Gallery invites visitors to immerse themselves in Begum's captivating creations until April 14, 2024.
In an interview with Asian Voice, Rana Begum talks about the exhibition, her inspiration, challenges and various other aspects.
Could you share some insights into the inspiration and process behind the pieces created for "Ordered Form"?
I’ve just installed installation 670 which constitutes the second part of the exhibition. It's located in the Assembly Room at St Albans Museum and Gallery. This particular artwork revolves around the theme of movement—how people walk, and navigate their surroundings, and the dynamic interplay of colours. The installation explores the way colours emerge and vanish, their constant shifts and changes as people move.
Given the fact that colour plays an important role in conveying the intended message and emotion of your art, how has your approach to the element been?
I initially approached it with some apprehension. Despite growing up in a culture rich in vibrant colours, working with colour did not come naturally to me. Being dyslexic and lacking the language to articulate colour theories, I chose a practical approach to understand it better. My early research focused on observing how one colour interacts with another, studying their mutual influences, mood alterations, and the vibrant vibrations created when brought together. Exploring these dynamics became a starting point for my interest and it took years to build confidence in utilising colour effectively.
What fascinates me most is the natural interaction of colours, especially those that traditionally may not be paired together, like purple and brown. I find the uneasiness and unexpected clashes intriguing. Despite societal norms dictating certain colour combinations, I appreciate the beauty in unconventional choices, noticing these clashes and decisions in our surroundings.
What impact does your religion have on your art?
I grew up both in Bangladesh and the UK. In Bangladesh, I attended the mosque daily, engaging in the rhythmic repetition of prayers. This routine has significantly influenced my perspective and manifests in the calm, meditative, and contemplative essence of my work. Despite my affinity for vibrant and clashing colours, I always seek moments of tranquillity in my creations.
For instance, installation number 670 showcases bold colours like red, grey, and yellow, creating stark contrasts. However, within this vibrant palette, there are moments of ephemeral lightness and calmness. This duality in the artistic experience is what I aim to achieve. My childhood experiences of reading the Quran and praying five times a day subtly influence my work. Islamic art and architecture, with their intricate geometry and the concept of the infinite, have always fascinated me.
Are there specific artists or people who consistently have inspired your work?
My constant source of inspiration is my father, who was incredibly hardworking. Growing up, I observed his relentless dedication and self-motivation, always pushing himself to achieve more. Despite his absence now, the memory of his perseverance remains a crucial influence on me. Additionally, throughout my educational journey, I've been fortunate to have incredible teachers who supported and encouraged me, starting from a time when I couldn't even speak. Once they recognised my drawing abilities, they consistently provided materials and urged me to challenge myself.
In terms of artistic inspiration, I deeply admire the works of minimalist artists such as Agnes Martin, Donald Judd, Frank Stella (particularly his early works), Mary Martin, and Sol LeWitt. Their minimalist approaches resonate with me, and I find their contributions to the art world truly captivating.
Could you discuss any challenges you've faced throughout your career?
I believe challenges are good. They encourage personal growth and the opportunity to push oneself. In my experience, factors like gender and race have often been prominent, especially as a parent. Being both a parent and an artist is immensely rewarding, despite the prevalent notion that it may be too demanding. I have cherished the ability to travel and showcase my work globally. While creating large-scale pieces poses its own set of challenges, it's a common aspect of the artistic journey. Sometimes, I wonder if my experience would be different if I were a male artist, imagining that life might unfold in distinct ways.
Is there a reason why you number your art instead of naming it?
I find it crucial not to title my works; instead, I prefer numbering them in the order of completion. This deliberate choice stems from my desire to allow viewers the freedom to form their own interpretations and have unique experiences with the artwork. I believe this approach avoids imposing a specific viewpoint on the audience and encourages a more open and personal engagement with the pieces.
What advice would you give to emerging artists looking to explore and establish their own unique voice in the art world?
I believe it's essential not to be deterred by challenges; instead, view them as opportunities for growth and motivation. Challenges are what shape and propel us toward our goals. Additionally, finding joy in the pursuit of your passion is crucial. Whatever path you choose—be it in science, art, or engineering—make sure to relish the process and the experiences that come with it. It's easy to forget to take moments to enjoy what you're doing, but that enjoyment is what makes the journey worthwhile.
Moreover, keeping an open mind is key. Don't close doors prematurely; stay receptive to new possibilities. Engaging in conversations and connecting with others enriches your perspectives and contributes to the richness of your ideas. So, in essence, embrace challenges, find joy in the process, and keep an open mind for a more fulfilling and dynamic journey.
