Jasdeep Singh Degun, the British Indian sitarist and composer, has been named Songlines Best Newcomer 2023. Established in 2008, these awards spotlight the finest emerging music globally.
Having been featured as a Songlines Introducing artist in March 2020, Jasdeep's trajectory has been remarkable. At that time, he was launching Arya, his sitar concerto commissioned and presented by Opera North and South Asian Arts. Fast forward three years, and he has unveiled his debut album, Anomaly and showcased his talents at Westminster Abbey during the Royal Commonwealth Service 2022, attended by the British Royal Family and Prime Minister, among various other achievements.
In a conversation with Asian Voice, Jasdeep discusses his art, achievements and future goals.
What sparked your initial fascination towards music and how has your background contributed to nurturing this interest?
Interestingly, I don't come from a musical family and my parents aren't particularly into Indian classical music or similar genres. My journey into music began unexpectedly during my primary school years. In North Leeds, where I come from, there's a significant Indian population. My primary school, recognising this diversity, offered harmonium and singing lessons. Intrigued, I signed up for both. As I delved into these classes, I discovered my genuine love for music. The school noticed my passion and suggested I join the singing and harmonium group.
Encouraged by my school experience, I sought more musical opportunities. A teacher advised me to attend classes at the local Gurdwara in Leeds. This marked a turning point, and I immersed myself in the musical environment there. Recognising my increasing passion, my teachers suggested pursuing formal education in music.
My journey continued with vocal training initially, but at the age of 15, I transitioned to learning the sitar. With unwavering support and guidance, my teachers, Ustad Dharambir Singh MBE and his wife, shaped my dedication and discipline towards classical music.
Has Indian music, in some way or form, influenced or contributed to the development of your interest in Indian classical music?
It most certainly has given that the environment I grew up in was deeply Punjabi. Our experiences were shaped by regular visits to the Gurdwara, where we were exposed to Kirtans from a very young age and the sounds of sunrise radio and Punjab radio were a constant background presence in our home. This exposure contributed to a foundation in melody and musical understanding.
However, in the realm of Indian classical music, the journey involves rigorous training. It goes beyond just the cultural background; it requires dedicated practice and discipline. Even if you come from an Indian background, being a proficient Indian classical musician demands a significant investment of hard work and commitment. This aspect, at times, may not receive the recognition it deserves.
Finding the right balance between classical and contemporary elements is often considered challenging by musicians. How do you navigate and achieve that balance in your work?
the realm of classical musicians, the term "fusion" often carries a negative connotation. In India, especially, there's a clear distinction between classical and fusion music and while striking a balance is not an easy task, challenge arises when individuals attempt to play instruments from another tradition without a deep understanding of that musical genre.
In my case, I don't label my music as fusion. My unique background allowed me to study Western music alongside Western musicians, often being the only one playing the sitar in those scenarios. This experience led me to experiment and collaborate, bridging the gap between different musical tastes.
Where do you envision yourself five years from now, and what are some of the aspirations you hope to achieve?
It has truly been an exceptional year for me. I am thrilled to share that I've received six awards, marking significant achievements in my musical journey. Notably, I secured the Asian Achievers Award, an Asian Media Award, the Critics Circle Award for my opera, the UK Theatre Award, and a nomination for the prestigious Ivor Novello Award. Additionally, I was honoured with the title of Best Newcomer.
The recognition has been particularly rewarding. While I am grateful for the personal acknowledgment, I see these achievements as a pivotal moment for the entire community of Indian classical musicians in the UK.
Looking forward, my ambitions revolve around fostering more opportunities for Indian classical musicians. Despite the abundance of talent, many go unnoticed. I aspire to see increased infrastructure and initiatives that provide a platform for Indian classical musicians to perform and be showcased, ensuring they receive the recognition they truly deserve.
If you were to offer advice to the upcoming generation of musicians, what guidance would you provide?
The foundation of success lies in relentless practice and dedication to mastering your craft, whether it's playing an instrument like the sitar or tabla or delving into composition. Strive to be the best you can be in your chosen field. However, excellence in your craft, while crucial, might not automatically translate into widespread recognition.
To navigate the complexities of the music industry, it's equally important to invest in your business acumen. Develop networking skills and learn how to engage with promoters effectively. Seek guidance and support from individuals and organisations that can assist you in building your profile. This doesn't always have to come from fellow musicians; often, it's the collaborations and partnerships with various entities that can elevate your career. Be kind, open, and willing to go the extra mile. In your early years, embrace every opportunity to contribute and learn.
